Science fiction and fantasy                                            



What Book Discovery Is Missing





   

Musings and rants

Nine Political Books That Change The Conversation
Following news that Simon and Schuster plan to publish an inflammatory commentator, here are nine political books that deserve more attention.

Penguin Random House Withdraws Union Recognition
Penguin Random House have decided not to recognise Unite and the NUJ as a result of staff negotiations, leaving the publisher with a stain on its reputation as an employer.

Authors Support Stop Funding Hate
Some authors have had enough of divisive and xenophobic elements in the British press, and are willing to make an ethical stand.

Women In SFF: Indie Edition
A list of indie and self-published women writing in science fiction, fantasy, horror, and other speculative fiction genres.

Amazon Finally Makes KU Appealing For Novelists
The new per-page payout for the Kindle Unlimited subscription service makes it a much better deal for authors of longer novels.

Thoughts On The Sieghart Report On Libraries
The Sieghart report on libraries missed its mark by miles. Yet the real cause of the decline of the UK library network is depressingly obvious.

A Shout-Out For The Good Guys
When nastiness dominates online conversations about books it is time to appreciate the well-behaved authors.

Critique Circle: Shaping Fabulous Stories
The appeal of a certain writing critique website. Or, why I have neglected this blog.

Where Shall I Point This Pitchfork?
Some thoughts on Jonathan Ross, Loncon, and the twitchfork mob.

Reading Is Not A Race
Why I will be abandoning annual reading challenges in 2014.

An Explosion Of Discovery Tools
New book discovery engines are popping up all over the web. But which ones will come out on top?

Blog Tours From Both Sides
Blog tours are the lastest marketing fad. But what are the pros and cons of this kind of publicity?

It's Not Your Story Any More
When a book is published, authors lose control over how the story should be read. They should let go the reins and enjoy the ride.

Same Old, Same Old
Are current methods of book discovery pushing us further away from original literature?

Female Protagonists In Genre Fiction
A list of recommended SFF books for adults which feature a female as the main character.

Is This The End Of Sweeping Vistas?
Do recent trends in fantasy art styles and the constraints of online book discovery mark the decline of landscape cover art?

A Rising Tide Floats All Boats
Authors: stop thinking of other writers as your rivals. They're not the enemy.

Reviews Are Useless Without Context
With so many review blogs, quick ways of understanding their authors are more important than ever.

Great Scriptwriters: Sometimes Overlooked, Always Vital
Sometimes it seems like the only way to get known as a scriptwriter is to do something else entirely.

The Going Rate For Fake Reviews
Now you can buy your way to critical success, at least until you get caught.


17th October 2013

Interview With The Vampire  

Dhampir  

Crimson City  

Night Rising  

The Dead Girls Dance  

Blood Oath  

Bullet  

The Night Eternal  

Hateful Heart  

Kiss The Dead  

Interview With The Vampire: Claudias Story  

Glass Houses  

Eclipse  

The Fall  

The Farm  

I've just read 20 books about vampires (no, not really, but let's run with this). Guess what I'd really like to read next? If Amazon and most other prominent book discovery engines are to be believed, what I'm really after is yet another book about vampires, ideally by the same authors I've already read. Because reading almost the exact same book over and over is what everybody wants, isn't it?

There is some safety in recommending books based on similar characteristics and authors, because of course these elements correlate somewhat with how much a book is likely to be enjoyed. But for me, that's not the point of discovery. If I'm already familiar with an author it's easy enough to find their other books, or if I'm reading a franchise series it's not difficult to find other works in it.

I've posted before about the problems of surfacing the same kind of content all the time. But there's something more insidious going on than a narrowing of our culture. What we're experiencing is a decimation of the midlist, and a growing gap between midlist authors and a small group of bestselling authors. It's winner takes all.

Juliet E. McKenna has blogged about this in relation to Waterstones' recent decision to sell toys, further reducing the shelf space for books. Juliet writes: "I’m an author who’s seeing her income eroded year on year by changes in the industry I can do nothing about. "

And in the comments: "What figures on booksales holding up don’t show is that the gap between the comparatively few authors who sell shedloads and the rest, who sell less and less, is getting wider and wider. Which is a problem for the industry in the longer term, because best-sellers always came out of the midlist, thanks to reader word of mouth and booksellers handselling. That’s how JK Rowling got started with Harry Potter – and any number of other examples besides."

Fewer places to experiment

At the same time as high street booksellers are contracting, libraries are under unprecedented attack. I've been campaigning for Save Lincolnshire Libraries, because in Lincolnshire we're facing cuts to two thirds of the static libraries, not to mention many of the mobile services. Library closures like these are threatened around the country because of the Tory insistence on stripping local authorities of funding. That's another avenue of discovery closing, because libraries are one of those places that readers can take a gamble on new authors. And one thing that's interesting about libraries is that their annual lists of most-borrowed books are often very different from the bestseller charts.

So we have a situation where there are fewer outlets for authors, and these are heavily influenced by what's selling well on Amazon. Even when you factor in alternative discovery engines like Bookish and Goodreads, these are also skewed in favour of recommending books that are already popular. With Goodreads, that's because like Amazon it depends on the number of star ratings, and with Bookish it's because similarity, bestsellerdom and who the author is form a part of its recommendation algorithm.

What we need is new discovery tools that take no account of popularity or sales, and yet improve on the recommendation algorithms that already exist.

How to fix discovery

My last round of submitting a manuscript to various literary agents was very instructive. Whilst the majority had guidelines that specified which genres they wanted to read and which they didn't, a significant minority didn't. These eclectic readers said things like, "I don't know what I want, but I'll know it if I see it". Book suggestions based on similar themes and genres are no use for this kind of genre-agnostic reader.

Similarly, aggregate star ratings aren't all that useful, I've found, and again they tend to result in the kind of suggestions that everyone has already heard of anyway.

What's needed is a way to make suggestions that take account of a reader's need for novelty, and progression. Our reading tastes evolve throughout our lives, and even as adults our reading levels will tend to subtly increase the more we read. One approach could be to classify all books, including adult books, by reading age, and to suggest books of slightly higher reading levels than those a reader has enjoyed. I'm talking here about a search engine that would examine the full text of a book and figure out the reading level. I'm aware that some ways of doing this can be inaccurate, but there's scope for refining this process.

Readers can also be categorised into different types that have nothing to do with genre: those who like long or short books, fast or slow paced ones, or graphic-heavy, or books with no swearing. It's possible to dig out a lot of information by using a computer programme to analyse these aspects of a novel.

This close examination of text is similar to what Booklamp are doing with their Book Genome Project. It's worth a look, because it's different from any other discovery system I've come across so far.

Booklamp are barking up the wrong tree, however, because their project is heavily focused on looking for similarities between books, particularly when it comes to themes. I don't think these are the best indicators of how enjoyable a book is going to be, although it may come in handy for anyone researching a certain topic in non-fiction. But I feel they are edging closer to the right answer. What's missing is a detailed study of which factors actually make a difference to people's reading enjoyment from amongst the many different aspects of writing style. And, crucially, although we know one size doesn't fit all when it comes to reading, can we usefully sort readers into different types other than genre (or as well as), and use that to accurately predict which books they will love? For instance, some people skim read whilst others prefer to take their time with a story. Will one group like short, densely-written texts with a higher reading age and less repetition, compared with the other group?

I'm hopeful of a future where most books are getting four or five stars, thanks to improvements in the way they are recommended to people. But then, I'm a signed-up, card-carrying daydreamer.