Science fiction and fantasy                                            



The Meq

by Steve Cash

cover  
One of the first lessons any good teacher of creative writing will try to instil is that of "show, don't tell". This essentially means describing things as they happen, as opposed to having one of the characters give another an account of events, or having the narrator summarise what took place. Since this is a review and not Writing 101 I'll not labour the point, but The Meq is an example of what happens when this lesson is ignored.

The book is hard to get into, and it's even harder to relate to the characters, because it lacks all of the small details that make the difference between a story and, say, a newspaper report. It's dry and impersonal.

When Zianno Zezen turns 12 in May 1881, he discovers that he's different from the rest of humanity. He does not get sick, and is blessed with almost supernatural powers of healing. On top of that he does not age, and could be stuck in the body of a 12-year-old for centuries. Zianno is one of the Meq, an ancient and secretive race of incredibly long-lived people.

The Meq follows Zianno's quest to discover more about himself following the untimely death of his parents. He is taken in by a stranger, Solomon, who takes him to St. Louis. Zianno is keen to find others of his kind, but they prove extremely elusive. At the same time he has to keep on the move in order to avoid attracting too much attention due to his own perpetual childhood.

Zianno's quest for truth turns into a hunt for revenge when he comes to the attention of a rogue Meq assassin known as the Fleur-du-Mal. His search takes him around the world, involving large tracts of China and Africa as well as America and England, and spans several decades. This opens up the opportunity for a lot of historical detail, but unfortunately much of this detail is given in the form of name drops. Mentioning Jesse James, Oscar Wilde and T.S. Eliot does not magically transform flat prose into an authentic and convincing story. The author drops names as though introducing an unlikely number of meetings with famous people will somehow make the reclusive Meq more believable, but it has the opposite effect. After the first few it just gets progressively more ridiculous.

The Meq tend to resemble each other, both in their looks and their personalities, to the extent that they blend together into one forgettable group. They also share a peculiar, stilted way of talking. For instance, "Usoa and I seek the evil one. Let that be that." and "You are Meq, you are Egizahar Meq. Learn your Stone. The Stones speak; we are silent."

The Meq are an original creation, and one thing this novel can't be accused of is being derivative. But as a race they are a little like vampires without the malevolence, the fangs, or the sexuality. In other words, they're missing all the fun of immortality. Zianno himself is bland and insipid, and his relationships with both Meq and ordinary people lack the kind of fire that would make what happens to him worth caring about.

The novel does pick up a little in the middle, but at the main character wanders from place to place there is always the sense that the plot, too, is somewhat aimless and the reader is being taken on a poorly planned journey. Rather than a dramatic structure that builds up to a pinnacle of tension towards the end of the book, followed by some brief scenes to tie up the loose ends, the ending is all over the place. The story ebbs and flows almost at random, punctuated by interminable musings that aspire to deepness but only manage to sound trite. Tearful departures and reunions threaten to overwhelm the ending in a flood of mawkishness. The Meq is hard to read due to poor writing technique and lacklustre characters. It's an unimpressive novel.

Book Details

Year: 2002

Categories: Books

  Fantasy
    Male Protagonist  

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2 star rating

Review © Ros Jackson

Comments

Jane Gardner     30th March, 2012 00:16am

I have to agree with the reviewer. After wading patiently through the first book and a bit of the second, I was tired of the Meq, the novels' rambling episodic form and the lack of real character development. Unfortunately, the author appears to believe that supporting good family values is an adequate substitute for foundational character development and believable story building. The Meq trilogy is a great initial idea handled without breadth of imagination or adequate craft. Fizzer.

Ros     30th March, 2012 14:46pm

Thanks for your comments, Jane. You're right, a great concept really isn't enough to sustain a novel, and definitely not a series. It's not too much to ask to demand careful writing as well.

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