Interview with a Vampire was a classic film that redefined the vampire genre. But for some reason
the filmmakers decided to bypass the second book in the series,
The Vampire Lestat, and film
Queen of the Damned instead. They have also abandoned the original Lestat in order to bring on a
whole new version of the character. It's not merely that Lestat is supposed to be blonde, or that he is no
longer played by Tom Cruise. In this movie he has none of the subtlety of the literary character, and is played
by Stuart Townsend with all the charm of a male version of a petulant diva. (A dive, perhaps?)
Lestat has risen after a long sleep underground, to find the world utterly changed. Immortality has made
him lonely, so he decides to become a rock star and openly announce his presence. He calls his band
The Vampire Lestat and challenges all the other vampires to meet him at his concert.
In fact the plot of
Queen of the Damned bears only a passing resemblance to the book. The bare
bones are there, but so many details have been altered or omitted that it will grate with anyone who has
read it, and confuse anyone who has not.
In this film Marius plays the role of Lestat's sire and mentor, teaching him the ways of vampires such as
how to feed and avoid being seen. Marius is also the one responsible for keeping the oldest and most
powerful vampires, the almost-petrified king and queen of the damned.
In the present day Jesse, a member of the Talamasca, is researching Marius. This leads her to Lestat in
order to find out more. Unfortunately we don't learn much about what makes J tick or why she's so
interested in vampires in the first place. The movie is far more focused on presenting Lestat as some
kind of vampy rock star, complete with leather pants and pasty complexion. Stuart Townsend certainly
looks good in the clothes (or lack of) and knows how to strut and pose on stage. Likewise Aaliyah vamps
it up as the queen Akasha, moving sensuously and slaughtering gracefully in a kind of destructive dance.
The soundtrack is excellent, especially for fans of rock, but the film plays like one long music video. It's all
image, atmosphere and clothes, with sparse dialogue and no storyline worth a damn.
This film is too short to make sense of many of the character's stories, and too long for the clichéd
goth-parade/rock soundtrack that it has become. It has none of the nuance of
Interview with a
Vampire, and in spite of all the flesh on display and the attractive cast, it leaves you cold. It's no wonder
that none of the original cast wanted anything to do with this dire sequel.
1/5
Review © Ros Jackson