Science fiction and fantasy
Pretty Little Dead Things
by Gary McMahon
Usher works as a kind of paranormal private investigator, although at the start of the story he's trying hard to ignore the voices of the dead because he's come to regard his talent as a curse as much as a gift. A shady local businessman has asked him to watch over his wayward daughter because he's worried about the company she's keeping. But a series of murders put Usher on the track of something more sinister going on in run-down parts of Leeds amongst urban decay and squalor. A young girl goes missing, and Usher sets out to find out where she's gone before she becomes yet another name on the list of people he's failed.
Usher is a complicated person, and he gets even more conflicted when Ellen Lang comes back into his life. He has a history with her, and his relationship with her is as knotty as everything else about him. As a fairly gentle man who doesn't like killing, or even driving a car, Usher is likeable and believable, although sometimes he's perhaps a touch over-sensitive. He's an antidote to all of the testosterone-overloaded hard men of the Chuck Norris school of characterisation.
As the story goes on things get stranger, and the plot touches on the idea of consensus reality, and the gaps between worlds. The murder mystery with ghosts gets a surreal twist with shades of Russian folklore and magical rites. There are also some sickly graphic images of death. But it's not the oddness of what happens or the vivid, bloody scenes that make this novel so very powerful. It's the graveyard atmosphere and the strong, credible emotions of the main character that will leave Thomas Usher indelibly inked on your consciousness.
Review © Ros Jackson