Pan's Labyrinth
directed by Guillermo del Toro
Pan's Labyrinth is the story of a young girl living in Spain in 1944, when civil war was raging.
Ofelia's mother is expecting the child of the fascist Capitán Vidal, who she married after the
death of Ofelia's father. It seems to be a union of convenience rather than of love, and Ofelia
doesn't seem thrilled about having to call this man "father".
Unlike her pragmatic mother, Ofelia is a dreamer. She reads fairy stories, and she sees magic and
fairies where other people would see only insects. Magic is real for her, although most of the adults
are keen to persuade her to get her head out of the clouds and live in the real world.
The fantasy theme and young central character might lull you into thinking that this will be a sweet,
whimsical movie. That notion is soon swept away by a scene of brutal murder that's calculated to
shock even the most desensitised viewer.
Pan's Labyrinth is a dark film, and its violent and
oppressive tone is relentless. This story is not only disturbing because pain and death are ever-present.
But these things are dealt out in a gratuitous and almost casual manner which emphasises the
horror of the situation.
Ofelia and her mother arrive at the Capitán's village, outside of which there is an ancient
labyrinth. When Ofelia ventures into it she finds a faun, who tells her she is actually a princess of the
underworld. She has to complete three tasks in order to secure her immortality and return to her
kingdom. It all seems a little like the dreams of a lonely girl who is desperate to escape her
war-torn existence. But in
Pan's Labyrinth the fantasy world is as dangerous and
unforgiving as the real one, and there is nothing to suggest that it's really all in Ofelia's head.
The Resistance forces are hiding out in the hills, whilst the fascists attempt to starve them out by
rationing all the food and keeping it locked away. Some people with the fascists are secretly
helping the Resistance, although they risk being shot for this. Throughout this movie the
opposition between grim and gritty war and the underworld of fauns, fairies and demons is
highlighted. The wartime setting illustrates the uncertainty, brevity and despair of mortal
existence, and there's a good contrast between these two aspects of the film.
In some ways it's hard to tease meaning out of
Pan's Labyrinth. Certainly it's about death and
sacrifice, and courage under difficult circumstances. But the characters and situations are extreme
and fantastic, so it's easy to miss how this story might be relevant to today's audience. The
frequent scenes of violence tend to obscure the subtler layers of meaning within the narrative.
Pan's Labyrinth is not the kind of movie that most people would want to watch repeatedly.
It's so dark and full of horror that the images stay with you. It's certainly original. This is a film
suited to people with morbid and bloody tastes, a bitter dose of the macabre and tragic.

Review © Ros Jackson