Mr Magorium is the eccentric old proprietor of a magical toy shop. With his Einstein hair and the
many delights of his shop, his character seems to be a lot like Willy Wonka, only friendlier.
Molly Mahoney (Natalie Portman) helps out in the store, although she feels that her career has lost
direction. She wanted to be a concert pianist, and to wow people with her own compositions. But she
lacks self-belief, and can't seem to write the piece that will make her mark. She's one of the few
friends of Eric Applebaum (Zach Mills), a young boy who struggles with socialising. He's good
natured, but so shy that he usually ends up playing alone.
Being magical, Mr Magorium has managed to reach his 243rd year without so much as looking frail.
But all good things must come to an end, and he knows his number is up. So he hires Henry (Jason
Bateman), an accountant who he always refers to as a Mutant, to help him put his affairs in order
before it's too late.
Henry finds plenty to wonder about in the shop's accounts, and as a workaholic in a grey suit he
stands out in that very colourful place. But his arrival marks a change in the store, which seems to be
losing its magic.
Mr Magorium's Wonder Emporium may be aiming to be slightly poignant, but it comes across
as very, very saccharine. Hoffman plays Mr Magorium with a facial expression that makes him look
somewhat simple. It's apt, because simple is what this film is. The dialogue isn't great, lacking any
particularly memorable lines or good jokes. Most children over the age of about 8 will find this film
too time, and parents who let their offspring watch it won't feel inclined to share the experience. There
aren't any gags that are meant to be understood on one level by adults and on another by children.
The lesson behind
Mr Magorium's Wonder Emporium is one of self-belief: just believe in
yourself, wave your hands a little, and everything will come right. It's absurdly optimistic, and
glosses over the difficulties of life. The trouble is, showing the audience something magical isn't
special in itself. There needs to be some kind of contrast, something going on that's bad enough
to make the audience care about the fantastic effects, and this movie just doesn't have it.
1/5
Review © Rosalind Jackson