Bullet
by Laurell K. Hamilton
For some people one is never enough. When it comes to men, special powers, or supernatural threats
Anita Blake is one of those people. She takes everything to excess, and this approach rubs a lot of
people up the wrong way. The vampire hunter is hardly low-profile, and she's beginning to arouse
jealousy and anger from various sides.
One of the people Blake has managed to upset is the Mother of All Darkness. She's supposed to
be dead, but ancient vampires have a way of hanging about. The Mother is back, and she's got plans
to possess and control all of the vampires in America, bringing in a new reign of darkness and
terror. Anita and her friends in St. Louis may be the only ones who have what it takes to stand up
to her.
Due to the way her magic works Blake is just as likely to try to resolve issues with sex as with
guns. There are some very frank discussions, and a few equally no-holds-barred scenes where
she attempts to do just that. As a result
Bullet is an orgy of unrestrained eroticism.
Often when there's a lot of explicit sex in a story it can remove a lot of the tension. Once the
question of will they or won't they is answered we're left with mechanical descriptions of the
act that hold no inherent interest. But Laurell K. Hamilton is an absolute expert at writing
steamy scenes that stay suspenseful no matter how carried away her protagonists get. There's
a lot of bedroom action, but for once more is more when it comes to this type of storytelling.
The Mother of All Darkness isn't the only character out to disrupt Blake's love-ins. Relationships
between the master of St Louis and a beautiful but scarred vampire are dangerously fraught. And
then there's Haven, a werelion who wants to make Blake his queen. Anita already has bonds with
other wereanimals, but Haven demands exclusivity and he's prepared to use violence to get his
own way.
Bullet is an incredibly visceral book, alternating between bloodbaths and orgies. It's
gruesome and titillating in equal measure, with the strangeness of the vampire world
creating an uneasy contrast with the humdrum realities of modern American life. The story is
punctuated by Blake's cynical and street-smart internal monologue. She's hard-bitten and
impertinent, but underneath the tough image she presents to the outside world there's a
vulnerability which comes from caring about the people around her. In spite of the fact that an
enviable selection of lovers come into her life and the access she has to special powers, she
remains an appealing character because she does have this softer side.
The ending is less of a definite conclusion, and more like a pause in the ongoing metaphysical
chaos that surrounds Anita Blake. However getting there is a thrilling journey through the
excesses of fear and desire. It's not for the easily shocked.

Review © Ros Jackson