Broken Angels
by Richard Morgan
It's hard to get a handle on someone who can change every aspect of their appearance and physical
strengths. Takeshi Kovacs inhabits a universe in which the body is just a "sleeve", like a garment
which can be discarded as soon as it wears out. A person's essence is reduced to a digital data
stack, a small black box kept within the spine that retains their every thought and memory.
For a man who often exists as little more than a stream of virtual data, Kovacs has a very physical
presence. For all that his brawn is only borrowed, he comes across as every inch the tough guy.
At the beginning of
Broken Angels he's wearing a combat body and fighting a war that's
as brutal and pointless as any.
In Richard Morgan's universe, war has not improved for being largely non-lethal. People have
simply found more effective ways of inflicting pain on each other, and real death is still a
possibility. Kovacs is mired in the war on the planet of Sanction IV, a war between the Protectorate
and the followers of Kemp. It's not clear what they are fighting for exactly, but Kovacs has taken the
precaution of choosing the side he believes is most likely to win. He wants to get out, but even
though he is a mercenary rather than a conscript, a planet-wide blockade makes leaving
difficult.
The opportunity to escape comes in the form of Jan Schneider, a man with information about
an important archaeological find concerning a lost Martian civilisation. The discovery could be
worth a lot of money, easily enough to buy their way out of this war. Together they assemble a
team which includes Tanya Wardani, a traumatised archaeologist who they pull from an
internment camp, and a number of special ops experts.
Unfortunately there are various people interested in sabotaging the dig. Going on it means that
Kovacs has to go AWOL from his Wedge combat unit, so the group need to avoid combatants
from both sides. It also becomes apparent that there are enemies within the group Kovacs
assembles, as well as amongst the rivals of their commercial sponsor.
This dig introduces a new element into Kovacs' world, that of an advanced alien civilisation which
has disappeared, leaving humans with a trail of ultra-high technology which has allowed them
to colonise the stars. The mystery of where the Martians went, and why, is a major theme in
Broken Angels. Did they evolve beyond mutual destruction, or did they simply get much
better at it and wipe themselves out? The novel poses the question of whether increasing
violence is an inevitable part of evolution.
Towards the end of the book
Broken Angels does tend to descend into an orgy of violence,
and in places this seems a little confusing and gratuitous. The book certainly explores a wide
range of ideas, however, so that ultimately this is a science fiction thriller with plenty of colour and
action rather than a mere series of battles. The complex plotting and vivid scenarios give
Broken Angels enough intelligence to be an interesting read.

Review © Ros Jackson